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Swann 7s Way (Proust)

 

...she was so humble of heart and so gentle that her tenderness for others and her disregard for herself and her own troubles blended in a smile which, unlike those seen on the majority of human faces, bore no trace of irony save for herself, while for all of us kisses seemed to spring from her eyes, which could not look upon those she loved without seeming to bestow upon them passionate caresses.
-- Marcel Proust. Swann's Way (1913) p.13 (tr. C. K. Scott Moncrieff and Terence Kilmartin revised by D. J. Enright -- 1992)
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"It's a funny thing, now; I very often think of my poor wife, but I cannot think of her for long at a time."

"Often, but a little at a time, like poor old Swann," became one of my grandfather's favourite sayings...

-- Marcel Proust. Swann's Way (1913) p.18 (tr. C. K. Scott Moncrieff and Terence Kilmartin revised by D. J. Enright -- 1992)
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"The fault I find with our journalism is that it forces us to take an interest in some fresh triviality or other every day, whereas only three or four books in a lifetime give us anything that is of real importance." (Swann)
-- Marcel Proust. Swann's Way (1913) p.33 (tr. C. K. Scott Moncrieff and Terence Kilmartin revised by D. J. Enright -- 1992)
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I drink a second mouthful, in which I find nothing more than in the first, then a third, which gives me rather less than the second. It is time to stop; the potion is losing its virtue. It is plain that the truth I am seeking lies not in the cup but in myself. The drink has called it into being, but does not know it, and can only repeat indefinitely, with a progressive diminution of strength, the same message which I cannot interpret, though I hope at least to be able to call it forth again and to find it there presently, intact and at my disposal, for my final enlightment. I put down the cup and examine my own mind. it alone can discover the truth. But how? What an abyss of uncertainty, whenever the mind feels overtaken by itself; when it, the seeker, is at the same time the dark region through which it must go seeking and where all its equipment will avail it nothing.
-- Marcel Proust. Swann's Way (1913) p.61 (tr. C. K. Scott Moncrieff and Terence Kilmartin revised by D. J. Enright -- 1992)
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M. Vinteuil ... carried politeness and consideration for others to such scrupulous lengths, always putting himself in their place, that he was afraid of boring them, or of appearing egotistical, if he carried out or even allowed them to suspect what were his own desires.
-- Marcel Proust. Swann's Way (1913) p.157 (tr. C. K. Scott Moncrieff and Terence Kilmartin revised by D. J. Enright -- 1992)
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I came to recognize that, apart from her own kinsfolk, the sufferings of humanity inspired in her a pity which increased in direct ratio to the distance separating the sufferers from herself.
-- Marcel Proust. Swann's Way (1913) p.171 (tr. C. K. Scott Moncrieff and Terence Kilmartin revised by D. J. Enright -- 1992)
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And in an attitude that was doubtless habitual to her, one which she knew to be apropriate to such moments and was careful not to forget to assume, she seemed to need all her strength to hold her face back, as though some invisible force were drawing it towards Swann's. And it was Swann who, before she allowed it, as though in spite of herself, to fall upon his lips, held it back for a moment longer, at a little distance, between his hands. He had wanted to leave time for his mind to catch up with him, to recognize the dream which it had so long cherished and to assist at its realization, like a relative invited as a spectator when a prize is given to a child of whom she has been especially fond. Perhaps, too, he was fixing upon the face of an Odette not yet possessed, nor even kissed by him, which he was seeing for the last time, the comprehensive gaze with which, on the day of his departure, a traveler hopes to bear away with him in memory a landscape he is leaving for ever.
-- Marcel Proust. Swann's Way (1913) p.330-331 (tr. C. K. Scott Moncrieff and Terence Kilmartin revised by D. J. Enright -- 1992)
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But he was so shy in approaching her that, after this evening which had begun by his arranging her cattleyas and had ended in her complete surrender, whether from fear of offending her, or from reluctance to appear retrospectively to have lied, or perhaps because he lacked the audacity to formulate a more urgent requirement than this (which could always be repeated, since it had not annoyed her on the first occasion), he resorted to the same pretext on the following days. If she had cattleyas pinned to her bodice, he would say: "It's most unfortunate; the cattleyas don't need tucking in this evening; they've not been disturbed as they were the other night. I think, though, that this one isn't quite straight. May I see if they have more scent than the others?" Or else, if she had none: "Oh! no cattleyas this evening; then there's no chance of my indulging in my little rearrangements." So that for some time there was no change in the procedure which he had followed on that first evening, starting with the fumblings with fingers and lips at Odette's bosom, and it was thus that his caresses still began. And long afterwords, when the rearrangement (or, rather, the ritual pretence of a rearrangement) of her cattleyas had quite fallen into desuetude, the metaphor "Do a cattleya," transmuted into a simple verb which they would employ without thinking when they wished to refer to the act of physical possesion (in which, paradoxically, the possessor possesses nothing), survived to commemorate in their vocabulary the long-forgotten custom from which it sprang. And perhaps this particular manner of saying "to make love" did not mean exactly the same thing as its synonyms. However jaded we may be about women, however much we may regard the possession of the most divergent types as a repetitive and predictable experience, it none the less becomes a fresh and stimulating pleasure if the women concerned are -- or are thought by us to be -- so difficult as to oblige us to make it spring from some unrehearsed incident in our relations with them, as had originally been for Swann the arrangement of the cattleyas. He tremblingly hoped, that evening (but Odette, he told himself, if she was deceived by his stratagem, could not guess his intention), that it was the possession of this woman that would emerge for him from their large mauve petals; and the pleasure which he had already felt and which Odette tolerated, he thought, perhaps only because she had not recognised it, seemed to him for that reason -- as it might have seemed to the first man when he enjoyed it amid the flowers of the earthly paradise -- a pleasure which had never before existed, which he was striving now to create, a pleasure -- as the special name he gave it was to certify -- entirely individual and new.
-- Marcel Proust. Swann's Way (1913) p.331-332 (tr. C. K. Scott Moncrieff and Terence Kilmartin revised by D. J. Enright -- 1992)
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Other people as a rule mean so little to us that, when we have invested one of them with the power to cause us so much suffering or happiness, that person seems at once to belong to a different universe, is surrounded with poetry, makes of one's life a sort of stirring arena in which he or she will be more or less close to one.
-- Marcel Proust. Swann's Way (1913) p.334 (tr. C. K. Scott Moncrieff and Terence Kilmartin revised by D. J. Enright -- 1992)
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He was well aware that his love was something that did not correspond to anything outside itself, verifiable by others besides him; he realised that Odette's qualities were not such as to justify his setting so high a value on the hours he spent in her company. And often, when the cold government of reason stood unchallenged in his mind, he would readily have ceased to sacrifice so many of his intellectual and social interests to this imaginary pleasure. But the little phrase [from Vinteuil's sonata], as soon as it struck his ear, had the power to liberate in him the space that was needed to contain it; the proportions of Swann's soul were altered; a margin was left for an enjoyment that corresponded no more than his love for Odette to any external object and yet was not, like his enjoyment of that love, purely individual, but assumed for him a sort of reality superior to that of concrete things.
-- Marcel Proust. Swann's Way (1913) p.335 (tr. C. K. Scott Moncrieff and Terence Kilmartin revised by D. J. Enright -- 1992)
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And since he sought in the little phrase for a meaning to which his intelligence could not descend, with what a strange frenzy of intoxication did he strip bare his innermost soul of the whole armour of reason and make it pass unattended through the dark filter of sound!
-- Marcel Proust. Swann's Way (1913) p.336-337 (tr. C. K. Scott Moncrieff and Terence Kilmartin revised by D. J. Enright -- 1992)
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Besides, having allowed the intellectual beliefs of his youth to languish, and his man-of-the-world scepticism having permeated them without his being aware of it, he felt (or at least he had felt for so long that he had fallen into the habit of saying) that the objects we admire have no absolute value in themselves, that the whole thing is a matter of period and class, is no more that a series of fashions, the most vulgar of which are worth just as much as those which are regarded as the most refined.
-- Marcel Proust. Swann's Way (1913) p.350 (tr. C. K. Scott Moncrieff and Terence Kilmartin revised by D. J. Enright -- 1992)
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...Cottard, having occasion to leave the room for a moment, murmured a witty euphemism which he had recently acquired and repeated now whenever he had to go to the place in question: "I must just go and see the Duc d'Aumale for a minute"....
-- Marcel Proust. Swann's Way (1913) p.373 (tr. C. K. Scott Moncrieff and Terence Kilmartin revised by D. J. Enright -- 1992)
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And the locks of his reddish hair, crinkled by nature but glued to his head by brilliantine, were treated broadly as they are in that Greek sculpture which the Mantuan painter never ceased to study, and which, if in its creator's purpose it represents but man, manages at least to extract from man's simple outlines such a variety of richness, borrowed, as it were, from the whole of animate nature, that a head of hair, by the glossy undulation and beak-like points of its curls, or in the superimposition of the florid triple diadem of its tresses, can suggest at once a bunch of seaweed, a brood of fledgling doves, a bed of hyacinths and a coil of snakes.
-- Marcel Proust. Swann's Way (1913) p.461 (tr. C. K. Scott Moncrieff and Terence Kilmartin revised by D. J. Enright -- 1992)
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And with the old, intermittent caddishness which reappeared in him when he was no longer unhappy and his moral standards dropped accordingly, he exclaimed to himself: "To think that I've wasted years of my life, that I've longed to die, that I've experienced my greatest love, for a woman who didn't appeal to me, who wasn't even my type!"
-- Marcel Proust. Swann's Way (1913) p.543 (tr. C. K. Scott Moncrieff and Terence Kilmartin revised by D. J. Enright -- 1992)
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